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Friday, November 29, 2013

incorrect inquiries encouraged.

Voice is everything. Unimaginative reductivists argue that there are no original stories left to tell (which, as a writer, I do not believe), but it's the teller's interpretation which is unique and what makes those stories worth retelling. Within that half-falsity, what makes a Lemony Snicket book is his voice, the redundant, rephrasical, regretful narrator who paints his uncanny world in shades of woe & misfortune.

Second in Snicket's All The Wrong Questions series, When Did You See Her Last? finds our apprenticing secret society autobiographer cutting his teeth on a case of a kidnapped heiress, but in the ghost town of Stain'd-by-the-Sea all isn't as sadly simple as it seems.

Unlike Vonnegut (bleh!) or Robbins (meh!), it's Snicket who uses constantly deft verbal dexterity to reinforce character & narrative, as opposed to an author just showing off at the cost of those same storytelling factors he should be building. It's Lemony who's so wordsmith, and the grasp of language is what gives him an edge, showing that he has the mind enough to define his dilemmas even if he doesn't yet have a true handle on their motives or scope: "I was standing in front of a Dilemma. There are people in the world who care about automobiles, and there are people who couldn't care less, and there are people who are impressed by the Dilemma, and those people are everyone. The Dilemma is such a tremendous thing to look at that I stared at it for a good ten minutes before reminding myself that I should think of it as a clue to a mystery rather than as a wonder of modern engineering. It was one of the newer models, with a small, old-fashioned horn perched just outside of each front window, and a shiny crank on the side so you could roll down the roof if Stain'd-by-the-Sea ever offered pleasant weather, and it was the color of someone buying you an ice cream cone for no reason at all."

Also, Snicket delivers consistently great character names, like Ellington Feint, Moxie Mallahan, Dashiell Qwerty, aside from his own, reaching far outside the usual baby name books to make not just proper nouns but cultural associations.

While the pacing of this book is slightly faster with less lingering descriptions, we still get a few wonderfully hard nutshells via Snicket's implicative encapsulations: "The books and shelves seemed to be in the middle of an argument nobody was winning."

Art by still no-last-named Seth (but we now know he's Canadian, so that narrows it down[?]) trades its predominant blue for purple in the solid graphic style. Sort of warming up to its noir sensibilities by this second book.


[Yes, a fountain pen skyscraper featuring a keyhole breather nib!]

Presentations of vocabulary aside, there's a new device in this series: In the oblique references to other books which are never actually named, Snicket reveals not only literary suggestions, but his influences. Yet these references are also distractions from the real mystery ... if there actually is a real mystery. Kit Snicket, Lemony's sister, keeps getting mentioned as perilously on her own back in the city, and her's is the story untold, yet bookended by Seth's splash pages at the front and back of both installments so far. For those of you who have read A Series of Unfortunate Events, you know how things sort out for intrepid Kit, but we may get the chance to find out how she starts her journey there, and these hints could fill in her arc.

Snicket also waxes philosophical. Between the kids there's a commerce of help, knowledge, and trust. Snicket trades book recommendations for cab rides from a duo of young taxi drivers, the same for breakfasts from teen fry cook Jim Hix, ingenue fatale Ellington Feint trades assistance for Snicket's gallant but possibly misplaced help, reporter Moxie exchanges her local who's-who for Snicket's info toward her unpublished news stories. Snicket argues that all would be more egalitarian if seen through the leveling eyes of youth and run by children, that adults get compromised and give up, while children with their untarnished optimism do not: "'You said we could make our organization greater than ever, but only if we stopped listening to our instructors and found new ways to fix the world. It was quite the speech you gave, It almost got you thrown out for good.'" And with that suddenly Lemony may become responsible for an event that does change everything.

While not as fresh as Who Could That Be At This Hour?,  there are revelations and far-reaching implications that Snicket's liminal role as hesitant documentarian for ASOUE may be much more involved than we ever suspected. While Snicket's world's never played with the supernatural, one dares to think that with hidden cult-like fraternities, octopi, a strange idol, the decaying seaside town, and constant fear of the unknown, that something Lovecraftian might dare to rear its scaly head? We dare hope.

April 1st, 2014, sees the release of not a third installment, but a collection of mini-mysteries set in the ATWQ world, File Under: 13 Suspicious Incidents.


[Or is it an April Fool's publishing joke? So suspect, Snicket!]
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While a mostly happy bookstore fixture for over two decades, Guillermo Maytorena IV is currently willing to entertain your serious proposals for employment as a literary/cinema critic, goth journalist, castellan, airship pilot/crewperson, investigative mythologist, or assisting in a craft brewery. Should you be connected to any of the above or equally interesting endeavours, do contact him via LinkedIn or G+

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