This eternal return is complete with everything you remember: the hand-to-forehead, tragically blessed soulful vampires, effete & elegant, as Anne Rice first redefined them. Worshippers of beauty who see the world through the lens of night whose existence is sustained by life itself -- blood. By now these ideas popularized by Rice are decades old, have birthed and faded RPGs/LARPs, A/B film offerings, and countless diaspora in the horror & paranormal romance & urban fantasy genres. Ergo, you may suspect that the original characters and their behavioural conceits parody themselves by now. Yet while Lestat & Co are the same vampires, the 21st century is certainly not the same world they've spun their many memoirs about, nor does the current challenge that faces them allow for things to remain unchanged.
The creeper vine ornamented Prince Lestat UK dust jacket. |
And if you enjoyed the narrative structure of Queen of the Damned with its assembly of the cast before the third act, then you'll cotton to Prince Lestat. The cavalcade of new names also implies the possibility that Prince Lestat's but the first of many more installments.
One can't help but notice a disconnect from 2003's Blood Canticle, where a less than isolated Lestat actually does pull himself away from his spiritual ennui long enough to help out the Mayfair clan Rice features in her other witch-centric series. Instead we're again given a Lestat still claiming he's almost damaged beyond hope, who loathes contact, and cares not for what happens to his peers. This works for the arc of the book, but proves partially incongruent for the series.
Rice points out that the literature of the vampire is a cultural vessel, that these texts provide answers & context for the undead as well as their mortal audience. In a metafictive way, Rice self-references the impact of her own books in her vampires' world & in the real one in terms of exploding the genre with her inspiration. It's a brag, but one fully backed by overwhelming success, and the establishment of an unassailable re-dressing of the vampire archetype.
As the plot inevitably brings characters together, Rice uses an interesting operating metaphor: The meeting of the vampires is like death, a reunion of souls long thought lost forever to one another. Rice implies that such an un-afterlife's akin to being with our lost loved ones (i.e. wishfully her daughter Michele & husband Stan), also complete with physical manifestations of ghosts.
More importantly Prince Lestat again advances vampires by positing a cultural evolution of the collected outsiders accepting themselves for what they are, divorcing what negative terms humanity may have contexted the vampire, and finding contentment in that realization. They begin by confronting that they're not dead, but alive, not damned, but blessed, and to still hold onto the medieval ideas that defined them only keeps them from feeling they deserve to be more than monsters. Granted, this self-forgiveness doesn't mean they're no longer vampires ... and for that sanguine truth -- that the blood is the life -- we are thankful.
While a mostly happy bookstore fixture for over two decades, Guillermo Maytorena IV is currently willing to entertain your serious proposals for employment as a literary/cinema critic, goth journalist, castellan, airship pilot/crewperson, investigative mythologist, or assisting in a craft brewery. Should you be connected to any of the above or equally interesting endeavours, do contact him via LinkedIn or G+.
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